‘Daybreak Express’: D.A. Pennebaker’s New York City
“I didn’t know enough about filmmaking…”
Classic Film
‘Ghost’: Takashi Ito’s unique vision of the supernatural
“I wanted to try out the idea of floating images…”
‘The Other Side of the Underneath’: Jane Arden’s radical British feminist horror
A claustrophobic yet vital piece of experimental cinema.
‘The Exquisite Corpus’: Peter Tscherkassky’s exploration of the erotic
“To show the naked body of cinema…”
‘Berlin Horse’: Malcolm Le Grice’s pioneering study of the film image
Unforgettable experiments with time and space.
‘The Slumber Party Massacre’: a feminist parody of slasher horror?
Can it be considered a feminist slasher?
‘Rain’: Joris Ivens’ poetic vision of Amsterdam
“It can be as simple as observing how someone’s shoe”.
‘The Cat That Hated People’: Tex Avery’s charming exploration of misanthropy
“The secret in animating is first to have an everlasting sense of humour…”
‘Mothlight’: Stan Brakhage’s beautiful attempt to capture the totality of nature
“Here is a film that I made out of a deep grief.”