‘The Brutalist’ composer Daniel Blumberg on improvisation, falling out of love with music, and Ingmar Bergman
An attention-grabbing triumph.
Features Archives: 03/2025
‘Before Midnight’: Why Linklater’s third film is just as essential to the trilogy
“This is real life. It’s not perfect.”
Oscars 2025: who really deserves to win the biggest awards?
Here are our picks for the big awards of the evening.
Understanding the corporate depression in ‘Sometimes I Think About Dying’
Do you ever think about dying?
A surreal slice-of-life: the discombobulating realism of Chantal Akerman’s ‘Je Tu Il Elle’
A frank and discombobulating depiction of heartbreak.
