“We floored it in both genres”: director Josh Ruben on romantic comedy slasher ‘Heart Eyes’
Getting the best of both worlds.
Interviews
“Why don’t we just do everything?”: Writer and director Drew Hancock on genre-bending horror thriller ‘Companion’
An impressive first-time feature.
Jamie Demetriou: Quietly becoming Britain’s funniest new Hollywood export
Demetriou discusses his new Netflix movie, ‘Back in Action’, working with Greta Gerwig on ‘Barbie’ and the future of ‘Stath Lets Flats’.
Johan Grimonprez on reclaiming our voices through rebellion: ‘Confrontation is necessary’
A monumental achievement.
‘The Substance’ composer Raffertie on the power of silence
An dynamic score for one of the year’s most dynamic films.
“It’s all deathly serious, it just happens to be really fucking funny”: Chris Diamantopoulos on ‘The Sticky’, voicing Mickey Mouse, and never doing the same thing twice
The versatile actor opens up on his career.
Director Steven C Miller on ‘Werewolves’, creatures, and working with icons: “It’s fun, it’s wild, it’s bananas, all at the same time”
It delivers exactly what’s advertised.
“We’re not great planners”: the Farrelly brothers on ‘Dear Santa’, ‘Dumb and Dumber’ and reuniting after a decade
The comedy heavyweights are back together.
Paul Kennedy on how the Coen brothers inadvertently helped invent Northern Irish “neo-horror” with ‘Dead Man’s Money’
How a modern tale inspired by ‘Macbeth’ and the Coens led to a new genre.
Bafta Breakthrough Sean Wang and the loaded sentiment behind calling yourself “an artist”
The Bafta Breakout director.
‘Hoard’ director Luna Carmoon discusses Bafta Breakthrough: “I think they’ve made quite a brave choice with me”
“I’ve always got something to say.”