‘Symbiopsychotaxiplasm’: cinema’s most playful use of the moving image
A film unlike any other.
An outsider who never wanted to fit in.
A fondness for the herb isn’t obligatory.
Playing the big boys at their own game.
There was plenty of creative licence applied.
An unheralded pioneer.
An engrossing examination of a torrid affar.
Not for the faint of heart.
Things didn’t end well for the sequel.
It’s doubtful that was the intention.