From David Lynch to Stanley Kubrick: The movies referenced within ‘The Substance’ Very referential. Aimee Ferrier Dec 11, 2024
“It’s alright to have a dance”: Grabbing a half-price slice with Adult DVD frontman Harry Hanson Dance music with an indie rock edge. Elle Palmer Dec 11, 2024
“It’s all deathly serious, it just happens to be really fucking funny”: Chris Diamantopoulos on ‘The Sticky’, voicing Mickey Mouse, and never doing the same thing twice The versatile actor opens up on his career. Scott Campbell Dec 11, 2024
Quick-fire Questions: 10 minutes with Dopamine Another top Australian import. Tom Taylor Dec 11, 2024
Catherine Breillat: revolutionary or repulsive? A debatable and controversial figure. Emily Ruuskanen Dec 10, 2024
Culture as a data farm: How AI entered Spotify Wrapped A dangerous step? Callum MacHattie Dec 10, 2024
“Turning six Walkmen into a keyboard”: Genesis P-Orridge and the lo-fi origins of industrial music “No fancy music of any kind.” Ben Forrest Dec 10, 2024
“There’s never been a good band from London”: The 10 most exciting artists in Leeds right now From noise-rock to soft Americana. Elle Palmer Dec 10, 2024
The Billion Dollar Supergroup: The wild story of The Kings of Chaos Chaos indeed. Reuben Cross Dec 9, 2024
‘Conclave’ maestro, Volker Bertelmann on destroying the picture and the sound of silence A striking score. Emily Ruuskanen Dec 9, 2024
Steven Spielberg once picked the purest American movie ever made: “The most audacious” Iconic. Swapnil Dhruv Bose Dec 9, 2024