“There is something very natural in the context”: Abbas Kiarostami explains why he finally decided to use violence
It only underlined the importance.
World Cinema
A fine line between fact and fiction: the truth behind ‘Picnic at Hanging Rock’
Plagued by an air of constant mystery.
Censored ghosts: Chinese cinema’s complicated relationship with the supernatural
Spirituality is a touchy subject.
‘Kaho Naa… Pyaar Hai’: The Indian movie that set a world record for winning the most awards
A bulging trophy cabinet.
‘Banda Yeh Bindaas Hai’: the unreleased Indian remake of ‘My Cousin Vinny’
Drowned in legal quicksand.
The Mo Brothers: genre cinema’s bloodthirstiest mavericks, together or apart
The great and the grotesque.
