The “horrible” co-star Ralph Ineson hated working with: “That fucker”
Had a run in with a hairy colleague
The Witch
The devil’s dulcet tones: The disturbing trick behind the soundtrack for ‘The Witch’
Subtle, but evocative.
Robert Eggers explains why ‘The Witch’ is more “a fairytale than a folktale”
One of the greatest contemporary horror tales.
The performance Anya Taylor-Joy admits she was “devastated” by
“I thought I’d never work again; I still get shivers thinking about it.”
Composer Spotlight: Mark Korven on horror, Robert Eggers and the brilliance of Bach
The master of horror.
