“This is not a Russian story. This is universal”: Olivier Assayas on the exhilarating challenge of bringing ‘The Wizard of the Kremlin’ to life
“The inner workings of politics are not specific”.
Olivier Assayas
‘Summer Hours’: Olivier Assayas’ best film is the only one inspired by personal experience
A moving meditation on the value of art.
Five directors who remade their own movies and got it right the second time
Surprisingly, much better.
‘Demonlover’ turns 20: Revisiting Chloë Sevigny’s most underrated performance
The effects of capitalist greed.
