“We floored it in both genres”: director Josh Ruben on romantic comedy slasher ‘Heart Eyes’
Getting the best of both worlds.
interviews
“Why don’t we just do everything?”: Writer and director Drew Hancock on genre-bending horror thriller ‘Companion’
An impressive first-time feature.
“It’s all deathly serious, it just happens to be really fucking funny”: Chris Diamantopoulos on ‘The Sticky’, voicing Mickey Mouse, and never doing the same thing twice
The versatile actor opens up on his career.
Director Steven C Miller on ‘Werewolves’, creatures, and working with icons: “It’s fun, it’s wild, it’s bananas, all at the same time”
It delivers exactly what’s advertised.
“We’re not great planners”: the Farrelly brothers on ‘Dear Santa’, ‘Dumb and Dumber’ and reuniting after a decade
The comedy heavyweights are back together.
“It’s disingenuous for any actor of my level to pretend they have any agency”: Adam Goldberg on ‘The Equalizer’ and 30 years of stealing scenes
The actor unpacks his past, present, and future.
Who are we to grieve stars? The psychology behind parasocial misery
Can parasocial attachment be healthy?
“Hell, I love everything we do”: Richard Elfman explores a lifelong creative odyssey
A lifelong creative odyssey.
“Tone was always on the brain”: writer and director Josh Margolin on Tom Cruise-approved action comedy ‘Thelma’
The filmmaker digs into his feature debut.
“Men define their masculinity by how much trauma they can endure. Why?”: Director Ethan Berger on intense fraternity drama ‘The Line’
The filmmaker explores an institution steeped in trauma.
“Serial killers as people aren’t super interesting”: writer Ian McDonald on true-life suspense story ‘Woman of the Hour’
A story stranger than fiction.
“This is not just a problem of a few bad apples”: Alex Wolff on exploring the dark side of fraternity life in ‘The Line’
The actor digs into his latest challenging role.