Marina Abramović’s ‘Rhythm 0’ and Yoko Ono’s ‘Cut Piece’: art from the confrontation of violence
Two harrowing performances.
Two harrowing performances.
Turning an ending into an artistic statement.
An immersive installation.
A 736-hour-long masterpie
This seemingly pleasant painting has a dark history.
John Bonafede was a performer at the museum in 2010.
“If you leave decisions to the public, you can be killed.”
For many, the mere mention of performance art will bring to mind Serbian provocateur Marina Abramović. In the past, she’s invited audiences to pierce her…