Sarah Kinsley is back in her spiritual home with new EP ‘Fleeting’ “Time is constantly moving.” Kelly Murphy Feb 13, 2026
The freedom of jankiness: Cardinals on the mistakes and humanity that made their debut A band that won’t be reduced or boxed in. Lucy Harbron Feb 12, 2026
Roisin Gallagher on Netflix’s ‘How to Get to Heaven from Belfast’: “I don’t think anyone’s going to be prepared for what happens” A genre-bending misadventure. Scott Campbell Feb 12, 2026
Julia Jackman discusses her modern fairytale ‘100 Nights of Hero’, queer representation, and working with Charli XCX Out February 6th. Aimee Ferrier Feb 6, 2026
Pillars of Influence: Five essential influences that shaped Ellur You can hear the influence. Dale Maplethorpe Feb 6, 2026
Private Regcords’ Regtown Festival is fostering Leeds’ thriving DIY scene: “We may as well just have the best time possible” Legendary. Aimee Ferrier Feb 5, 2026
Introducing Holly Head: Manchester’s most impassioned and political new noisemakers Urgent. Aimee Ferrier Feb 4, 2026
Writer and director Zak Hilditch on ‘We Bury the Dead’: “If you’re going to do a zombie film in the modern era, you better make it unique” A zombie movie with a twist. Scott Campbell Feb 2, 2026
Quick-fire Questions: 10 minutes with Bela Spit Billie Piper, Kathy Acker, and John Zorn. Aimee Ferrier Jan 30, 2026
Ángel Manuel Soto on ‘The Wrecking Crew’ and indulging his inner child: “It was the most fun I’ve ever had” An old-fashioned throwback. Scott Campbell Jan 28, 2026
Jaime Slater on ‘Spartacus: House of Ashur’: “We’re the Sid and Nancy of ancient Rome” Sex, swords, and sandals are back. Scott Campbell Jan 8, 2026