“Quite moving”: The heartwrenching song Sting called his favourite of all time

Every musician goes through different phases in their career. When first starting out, their work often either starts with a disposition of trepidation as they find their footing, or it provides the rawest notes they will ever deliver, enabled by the fear, anger, and uncertainties that appear at the beginning of their journey. For Sting, one song in particular captures this trajectory.

Today, Sting is better known as an artist who takes genre-blending to new extremes, providing a space where rock, reggae, jazz, folk, and even country can converge without either trope seeming out of place. Although rock and new wave permeated the early sound of The Police, his solo work captured his more experimental leanings, often delivering gateways to rich and versatile storytelling.

Within The Police and in his solo work, Sting hasn’t always exclusively written about themes and narratives inspired by his personal life, despite the fact a lot of his music draws from real thoughts and emotions he has experienced at various junctures. Most of the time, however, he keeps his cards close to his chest and infuses a certain ambiguity that enables spaciousness both in his music and the poeticism of his lyrics.

That said, on rare occasions, his songs exhibit a certain vulnerability, reflecting on his personal experiences and the hardships faced by those around him. The most obvious example might be ‘Fields of Gold’, a song Sting wrote inspired by a house he bought near a barley field and the realities of life—including its inevitability and the beauty of succumbing to joy and happiness.

It’s in these moments that Sting’s songwriting feels most direct. Rather than hiding behind metaphor or character, he allows his own emotional state to take centre stage, giving the listener a clearer window into his mindset at the time. That openness can be disarming, especially coming from an artist who so often prefers to keep things interpretive.

The Police - Sting - Stewart Copeland - Andy Summers - 1979
The Police – Sting – Stewart Copeland – Andy Summers – 1979 – Far Out Magazine (Credit: Far Out / A&M Records

At the same time, those songs reveal how his perspective has evolved over the years. Moving beyond the sharper edges of his earlier work, Sting began to explore more complex emotional terrain, where conflicting feelings could exist side by side. It’s that willingness to embrace contradiction that gives these tracks their lasting resonance.

Still, although undeniably poignant in execution, ‘Fields of Gold’ doesn’t come close to another of his songs regarding personal reflection. The song, ‘I’m So Happy I Can’t Stop Crying’, didn’t just prove Sting’s adeptness at writing from the heart, it showcased a specific chapter where he was plagued with fear, anger, and hurt, all strong pain points that influenced its initial manoeuvre from a traditional rock some to one with a more countryfied flair.

‘I’m So Happy I Can’t Stop Crying’ isn’t just a straightforward ballad of tragedy, though; it emerges in phases, beginning with a cynical edge before transitioning into something with a more euphoric flavour. Although fictional in its content, it covers many of Sting’s emotions early on in his career, including how “shut out” he felt and the importance of overcoming the darkness.

As he reflected, “I felt shut out of the world. So I can relate to younger bands making angry music with a lot of attitude, but my music has finally gone past that to the next stage.”

He continued, “Not acceptance, but beginning to understand the cycles of life rather than getting caught in that loop of anger-of hurt, revenge, hurt, revenge. Like the guy in the song says, ‘Everybody has to leave the darkness sometime.'”

It’s a delicate affair that few master, but the song represents the relief of letting go of something that once caused immense pain and the hilarity that emerges on the other side. As he sings in the song, “I’m laughing through my tears”—a potent concoction of sorrow and joy that culminates in liberation. Despite its popularity, however, Sting himself finds it a difficult composition to revisit for understandable reasons.

In his view, the song is “quite moving,” namely because it seems more fitting for someone who has gone through something life-changing like a divorce or intense breakup. “I find that quite moving. I know I wrote it, but I listen to it and actually find it quite moving, because it makes a journey,” he said. “Maybe it’s a song for people who have been divorced. People who haven’t been divorced, maybe they won’t understand it. But I’m quite proud of that song. I think that’s my favourite song on the record, actually.”

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