“I had a very specific approach”: the director who wanted Freddy Krueger to be the James Bond of horror
Shaken, stirred, and very stabby.
Shaken, stirred, and very stabby.
Staring in the face of greatness.
And it isn’t John Carpenter or Quentin Tarantino.
A classic Modernist writer.
A career-defining turn.
His expectations were too high.
An unforgettable time.
Can’t separate the act from the actor.
“Deserve’s got nothing to do with it.”
“It’s a lucky place to be.”