Gifthorse – ‘Queens of Highgate’ EP review: shimmering synth pop meets its latest wave 1985 meets 2026. Lauren Hunter Apr 16, 2026
Gretel – ‘Squish’ album review: A powerhouse debut balancing references and originality Roaring and soaring. Lucy Harbron Apr 9, 2026
Holly Humberstone – ‘Cruel World’ album review: stunning songwriting and gorgeous pop melodies A new standard. Kelly Murphy Apr 9, 2026
Wu Lyf – ‘A Wave That Never Breaks’ album review: An ambitious attempt to reclaim the album Unplugging from the world. Callum MacHattie Apr 9, 2026
Blossom Caldarone – ‘Might Smash a Window’ EP review: a bottle of springtime bloom A beguiling world. Lauren Hunter Apr 9, 2026
My New Band Believe – ‘My New Band Believe’ album review: A debut that thrives on chaos A maximalist approach. Paulina Subia Apr 9, 2026
Robber Robber – ‘Two Wheels Move the Soul’ album review: If itchiness was a sound A raging inferno. Lauren Hunter Apr 2, 2026
BCUC – ‘The Road is Never Easy’ album review: An Afro-psychedelic journey to Soweto An ambitious undertaking… Ben Forrest Apr 1, 2026
Model/Actriz – ‘Swan Songs’ EP review: An evocative surprise A beautiful trio. Paulina Subia Mar 27, 2026
The New Pornographers – ‘The Former Site Of’ album review: Stirring indie pop that shows the Canadian collective still shine Welcome back. Tom Phelan Mar 26, 2026
Charlotte Cornfield – ‘Hurts Like Hell’ album review: Disregard what you know Cosy, classy, but not a classic. Lucy Harbron Mar 26, 2026
Fcukers – ‘Ö’ album review: essential electro-brilliance A fantastic debut. Aimee Ferrier Mar 26, 2026