Demob Happy – ‘The Grown-Ups Are Talking’ album review: A delightful mix of explosive noise and contemplative bliss A joy. Kelly Murphy Jan 30, 2026
Amanda Bergman – ’embraced for a second as we die’ album review: All in perfect harmony A beautiful record Matthew Ingate Jan 30, 2026
Sébastien Tellier – ‘Kiss The Beast’ album review: French sexiness can only mask so much Covering cracks. Lauren Hunter Jan 29, 2026
The Olympians – ‘In Search of a Revival’ album review: A renaissance of cinematic soul instrumentals An incredible come-back album… Ben Forrest Jan 29, 2026
Seera – ‘Sarab’ EP review: Pandora’s box has well and truly been opened Bursting with ideas. Callum MacHattie Jan 26, 2026
Dead Dads Club – ‘Dead Dads Club’ album review: Long awaited indie catharsis Letting it all out. Callum MacHattie Jan 23, 2026
Hot Face – ‘Automated Response’ album review: Play it bloody loud! Punk is live! Dale Maplethorpe Jan 23, 2026
YĪN YĪN – ‘Yatta!’ album review: A trip through Southeast Asian psychedelia via the Netherlands A masterful journey… Ben Forrest Jan 23, 2026
David Boring – ‘Liminal Beings and Their Echoes’ album review: Electronic muscle never packs the punch they’re swinging for Left wanting more. Tom Phelan Jan 21, 2026
Peaer – ‘Doppelgänger’ album review: Angular indie rounded off by melody Stay on your toes. Callum MacHattie Jan 18, 2026
Rifle – ‘Rifle’ album review: blistering punk songbook offering solidarity amid the seethe “I won’t let you tell me how to speak.” Tom Phelan Jan 14, 2026
The Cribs – ‘Selling A Vibe’ album review: Indie-pop repackaged with pride Nothing’s the same, except everything. Callum MacHattie Jan 9, 2026