Nick Cave and The Bad Seeds announce Greatest Hits album ‘Lovely Creatures’
Lovely Creatures is the most comprehensive overview of the recorded work of Nick Cave & The Bad Seeds to date. Spanning thirty years of music from their debut album From Her To Eternity through to Push The Sky Away their 15th studio album, the collection navigates one of the most exhilarating, idiosyncratic and inventive bodies of work created in contemporary music.
Included are long-standing live favourites “Stagger Lee” and “The Mercy Seat”, their hit single from 1995 “Where The Wild Roses Grow” through to recent fan favourites “Jubilee Street” and “We No Who U R”. There are songs that newcomers may only know from their appearance on film and television soundtracks, notably “O Children” (Harry Potter & the Deathly Hallows Pt. I) and the ubiquitous “Red Right Hand”, most recently familiar to fans of the series Peaky Blinders.
The album was compiled by Nick Cave and founding member Mick Harvey, with help from the current Bad Seeds. Band members past and present raided their personal archives to provide previously unseen photos and memorabilia which have been collected into a beautiful hardcover book, along with a series of original essays. The book is available as part of the limited edition ‘Super Deluxe’ album collection that also comes with a two hour DVD containing rare and unseen archive footage. Lovely Creatures is available in four formats, all featuring personal and rare photographs of the band: Standard CD, Triple LP, Deluxe 3CD with DVD and the Super Deluxe Limited Edition package.
Lovely Creatures was originally intended for release in 2015. Since its postponement the band have recorded and released their highly acclaimed 16th studio album Skeleton Tree.
Lovely Creatures: The Best of Nick Cave and the Bad Seeds was initially scheduled for release in the autumn of 2015. Thirty years or so had passed since the band had formed and much had happened during that time – the band morphing into as many versions of itself as there were albums to reflect this. It felt, to me, a good time to pay tribute to this unique creation.
The release of Push the Sky Away in 2013 felt, after so many reinventions, not just another incarnation but the throwing open of the doors to a new way for us as a band to make music. I read Iain Forsyth and Jane Pollard’s diary-essay that completes the text for the book and I remember those times in all their creative joy, but from a great distance; for time and sudden fate had since created a different person to inhabit this old skin. Time became ancient history in a heartbeat as circumstances beyond my control took hold. It then became imperative and a matter of great urgency to make a new record and allow this different person to speak.
The Bad Seeds made Skeleton Tree in Paris towards the end of 2015 – in a strange, raw and different present. Whatever Skeleton Tree became, it was a wholly necessary addition to the band’s story. Lovely Creatures lost, for a time, its place in the narrative. Now, it seems the time is right to recognise and celebrate the Bad Seeds and their many achievements. So here, at last, it is: Lovely Creatures.