Kelly Reichardt wrote and directed this triptych of a screenplay set in Montana, based on a collection of short stories by Maile Meloy. Reichardt is known for slow-moving plots and prefers character studies to fill out her often lugubrious narratives. In each of the three segments that constitute Certain Women, Reichardt’s protagonists are women who attempt to maintain a quiet dignity despite being stifled by people devoted to blocking their self-actualisation.
In the first segment, Laura Dern plays attorney Laura Wells who is unable to shake off disgruntled client Fuller (Jared Harris), who seeks to re-open a civil suit but has been informed by both Laura and her attorney colleague that he has no legal leg left to stand on. When Fuller takes a security guard hostage at his former place of employment, Laura is called in by the local police to act (in the unlikely scenario) as hostage negotiator. When Fuller lets the security guard go and asks Laura to give him a head start as he scurries out of the back of the building, Laura immediately informs the police of Fuller’s whereabouts, and he’s placed under arrest.
In the second and least successful of the segments, Michelle Williams plays Gina who is married to Ryan (James Le Gros). Gina is constantly annoyed with her husband who appears to indulge their rebellious teenage daughter. Gina has placed herself in charge of building a new family home out in a rural area—all she has to do is convince Albert, an elderly family acquaintance, to part with the sandstone on his property which she would like to use in the construction of the new home. Albert tentatively agrees to selling the sandstone and soon afterward, Gina’s workers come to take possession of it. But when Gina waves to him as her stares out the window from his home, he doesn’t react. Did Gina intimidate him into doing something he didn’t really want to do? This is perhaps the only real ambiguity in Reichardt’s “what you see is what you get” narrative.
Jamie decides to make the four-hour drive to see if she can find Beth. When she finally tracks Beth down, they have a brief conversation but nothing comes of it. Lonely Jamie makes the trek back to the farm. End of segment.
Certain Women is very loosely interconnected by a few plot strands. Laura has been having an affair with Gina’s husband, and Beth happens to be employed in the same building where Laura works.
The case of Jamie is a bit different. She’s the only protagonist who doesn’t get what she wants, and is perhaps the only “sad sack” of the three. Sad sacks unfortunately don’t make for good drama so when Jamie arrives back home, we’re forced to revel in her failure.
If you must see Certain Women, see it for the plush Montana landscapes and the capable acting on the part of the principals. Unfortunately, good parts for women in the cinema today remain hard to come by. Certain Women certainly fails to contribute to such a pantheon.