Coachella 2026: Geese stage time confirmed for Californian festival
With just over a week to go, Geese have confirmed their stage time for this year’s Coachella Festival in California.
This year’s event, headlined by Sabrina Carpenter, Justin Bieber and Karol G, will take place over two consecutive weekends this month, between the 10th and 12th and the 17th and 19th.
Since the full line-up was initially announced in September, Geese have been on an unstoppable rise following the release of their latest album Getting Killed, and now, they will be one of the most anticipated acts at this year’s Coachella.
Geese took out a billboard in the desert to confirm their stage time, which depicts bassist Dominic Digesu in an Ice Spice tee, as well as revealing they will be performing on the Saturday of the festival at 6pm in the Gobi Tent.
The band will appear on both April 11th and April 18th.
The full stage times are yet to be released for the festival, but it’s unlikely they will clash with either The Strokes or Addison Rae, who will also be performing on the Saturday evening on the Coachella Stage and Outdoor Theatre, respectively.
Other acts performing on the same day include Bieber, David Byrne, Interpol, Sombr, Royel Otis, Boys Noize, PinkPantheress, Alex G, Lambrini Girls and Blondshell.
On the Friday, headlined by Carpenter, The XX, Nine Inch Noize (Nine Inch Nails and Boys Noize), Turnstile, Ethel Cain, Central Cee, Foster the People, Disclosure, Blood Orange, Moby, and CMAT will also perform.
Meanwhile, the final day of the festival, headlined by Karol G, will feature sets by Young Thug, Major Lazer, Iggy Pop, FKA Twigs, Wet Leg, Clipse, Little Simz, The Chats, Los Retros and Black Flag.
Geese’s appearance at Coachella is the band’s first since they landed back in the US following their European tour, which included dates in Bristol, Glasgow, Manchester, Leeds and London in the UK.
In a review of their show in Bristol, Far Out wrote, “While the tension was at fever pitch, ready to pop with the imagined suitable opening of ‘Trinidad’ or ‘Getting Killed’, the engine actually started ominously ticking with ‘Husbands’. It was unexpected, but by the time the chorus arrived, one of the most soulful sing-alongs of my recent memory erupted.”
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