The poignant emptiness of Wong Kar-wai film ‘In the Mood for Love’
Hollow prevalence.
“We seemed to take care of that ourselves.”
“Every shot is rethinking cinema, rethinking narrative.”
“There’s such an energy to his camera, such a fluidity to his movies.”
The beginnings of the surrealist master.
“The kindest, most generous spirited and loving human being.”
It’s been a dark 12 months for the company.
“I thought I should do something to make myself feel comfortable…”
“Far outweighs any of the other films.”
“I’m not real sure why, but it’s easy for me to pronounce.”
“The look of it, the tone of it, people’s expectations for it, are all fixed.”