Aldous Harding – ‘Train on the Island’ album review: Emotive indie-folk of ever-increasing magnitude Another triumph… Ben Forrest May 6, 2026
Broken Social Scene – ‘Remember the Humans’ album review: a hopeful return Love and loss. Tom Taylor May 6, 2026
Beat the Algorithm: Five great albums you might have missed from April 2026 Another stormer of a month. Reuben Cross May 4, 2026
Cyclist delivers a welcome slice of lo-fi garage rock on ‘the wreck’ Essential new listening. Aimee Ferrier May 1, 2026
Mleko – ‘The Feast of St Perpetua’ EP review: Many cooks, endless intrigue Seven members, a lot to sample. Lucy Harbron Apr 30, 2026
Thurston Moore & Bonner Kramer – ‘They Came Like Swallows – Seven Requiems for the Children of Gaza’ album review: a moving symphony Moving. Aimee Ferrier Apr 30, 2026
The Black Keys – ‘Peaches’ album review: Welcome home, we’ve missed you This is the blues. Dale Maplethorpe Apr 30, 2026
Dutch duo The Hobknobs revel in simplicity on ‘Easier Listening’ Very easy on the ears. Reuben Cross Apr 30, 2026
American Football – ‘American Football (LP4)’ review: It’s only up from here Light and dark collide. Callum MacHattie Apr 29, 2026
Maya Hawke – ‘Maitreya Corso’ album review: assume nothing, listen to everything Wonder with words. Lauren Hunter Apr 29, 2026
The Claypool Lennon Delirium – ‘The Great Parrot Ox and the Golden Egg of Empathy’ album review: A fantastical attack on AI that leans on the right side of psychedelic charm Beware the Cliptrons… Tom Phelan Apr 29, 2026
Lip Critic – ‘Theft World’ album review: Good luck making sense of this one Unfiltered chaos, all the time. Reuben Cross Apr 29, 2026