Sophie May quietly confronts herself on ‘Touch Me’ A strong second single. Callum MacHattie Jan 31, 2026
Revisiting NewDad’s debut album ‘Madra’ two years after its release A great record all around. Dale Maplethorpe Jan 30, 2026
Geologist – ‘Can I Get a Pack of Camel Lights?’ album review: Dance music for guilty feet A mosaic. Dale Maplethorpe Jan 30, 2026
Demob Happy – ‘The Grown-Ups Are Talking’ album review: A delightful mix of explosive noise and contemplative bliss A joy. Kelly Murphy Jan 30, 2026
Joyce Manor – ‘I Used To Go To This Bar’ album review: Self-assured and snappy Featuring Oasis drummer Joey Waronker. Rachael Pimblett Jan 30, 2026
Scattered Purgatory (破地獄) – ‘Post Purgatory’ album review: A defiant return A metal-electronic-jazz hybrid. Paulina Subia Jan 30, 2026
Amanda Bergman – ’embraced for a second as we die’ album review: All in perfect harmony A beautiful record Matthew Ingate Jan 30, 2026
Aimee Fatale brings promise to fruition on ‘Blood’ PJ Harvey meets 1960s prom pop. Lucy Harbron Jan 29, 2026
Pem – ‘Other Ways Of Landing’ EP review: Surrendered and stunning Another poignant and beautiful offering. Lucy Harbron Jan 29, 2026
Sébastien Tellier – ‘Kiss The Beast’ album review: French sexiness can only mask so much Covering cracks. Lauren Hunter Jan 29, 2026
Gretel announces debut album ‘Squish’ with pleasant title track “All I want is to drown in love.” Rachael Pimblett Jan 29, 2026