Credit: Bent Rej

From Bob Dylan to The Beatles: A definitive list of the top 6 records released in 1966

In 1966, there was a remarkable smell of change in the air. Over in England, the entire nation was in a festive mood after finally won the World Cup and, on top of that, a certain 19-year-old musician going by the name of ‘David Bowie’ released his first single. In contrast, however, across the pond in America troops were being sent out to fight the Vietnam War, a decision which fuelled a plethora of anti-war music. If that wasn’t enough to get the melting pot bubbling over, John Lennon decided to claimed that The Beatles were more popular than Jesus and incite chaos. In fairness, at the time of Revolver, maybe they were.

The period of time also brought Lennon’s message of peace to the forefront, a time in which he repeatedly butted heads with those in power, passionately attempting to make his anti-war message known to the masses. “It’s fear of the unknown,” the Beatle once said in his calls for peace. “The unknown is what it is. And to be frightened of it is what sends everybody scurrying around chasing dreams, illusions, wars, peace, love, hate, all that-it’s all illusion. Unknown is what it is. Accept that it’s unknown and it’s plain sailing.”

He added: “I want you to make love, not war, I know you’ve heard it before. We’re trying to sell peace, like a product, you know, and sell it like people sell soap or soft drinks. And it’s the only way to get people aware that peace is possible, and it isn’t just inevitable to have violence. Not just war – all forms of violence.” While Lennon was clear on his stance, the world was in a far more confused state.

Many artists hit their watershed in ’66, allowing them to experiment with different genres and push boundaries—but which album takes the crown?

See the full list, below.

The Best albums released in 1966:

6. Frank Sinatra – Sinatra at the Sands

Accompanied by Quincy Jones and Count Basie, Frank Sinatra bought his quick wit and lounge music to The Copa Room in Las Vegas. This live album showed Sinatra at his best, and today, how we still remember him.

With effortless grace, Sinatra plus his 20-man orchestra belt out classic after classic. Between these songs, he laughs and jokes with the audience, returning back to his cheeky, Rat-pack ways after a previous slump within his music. With time-honoured songs such as ‘Fly to the Moon’, ‘It Was A Very Good Year’ and ‘You Make Me Feel So Young’, it’s a quintessential live album that stands the test of time.

5. The Rolling Stones – Aftermath

Aftermath showed the Stones going in a different direction with their music and transcending from just being a great rock band, to becoming something of cultural history.

This marked the first time Mick Jagger and Keith Richards wrote every song on the album, infusing pop-rock songs with attitude and swagger that ring reminiscent when thinking of the band today. Like other albums released in ’66, Brian Jones experimented with a variety of different instruments unknown in the rock world, such as a marimba and a sitar.

While there are a number of celebrated numbers on the record, ‘Mother’s Little Helper’ is an undoubted high point with its otherworldly lead guitar, one which actually came about purely by chance. “It was just one of those things where somebody walked in with it and we went, ‘Look, it’s an electric 12-string’,” Richards once explained. “It was just some gashed-up job. God knows where it came from or where it went, but I put it together with a bottleneck and we had a riff that tied the whole song together. There’s probably some gypsy influence in there somewhere.”

4. Simon and Garfunkel – Parsley, Sage, Rosemary and Thyme

Produced by Bob Johnston (Bob Dylan, Leonard Cohen, Johnny Cash), Parsley, Sage, Rosemary and Thyme saw Simon and Garfunkel finally take their time on a project, spending over three months in the studio together. A significant portion of this time was spent perfecting both the songwriting and producing featured on the album, with Paul Simon playing a big part throughout both.

Songs such as ‘Scarborough Fair/Canticle’ present Simon’s ability of songwriting by weaving his own song, ‘Canticle’, which criticises the Vietnam War, between the traditional English ballad ‘Scarborough Fair’, both these songs completely different, but Simon manages to bring them together in a way that makes perfect sense. The album also includes cuts such as the nostalgic ‘Homeward Bound’ and harmonious ‘The 59th Street Bridge Song (Feelin’ Groovy)’. Most important of all, it paved the way for their 1968 release and arguably their finest work, Bookends.

3. The Beatles – Revolver

Revolver showed The Beatles all working equally to create something truly experimental and what could be their creative peak. It’s hard for any band to not have filler songs on an album, but Revolver sails through this with ease with every song coming under or around the three-minute mark. From hard rock cuts such as ‘Taxman’, to the ethereal ‘Here, There and Everywhere’, all exploring different influences —from classical Indian music to children’s songs, elevating these with orchestral arrangements and backwards recordings. None of these songs proved to be more innovative than Lennon’s ‘Tomorrow Never Knows’, with six tape loops being played throughout the song, from seagulls (which is actually distorted instruments cut on tape) to McCartney laughing.

The songs on the album are influenced by the burgeoning acid scene of the 1960s. Despite Sgt. Pepper often being seen as the band’s first brush with psychedelia, John Lennon later confirmed in 1972 that Revolver was the first studio trip, “We’d had acid on Revolver. Everybody is under this illusion— even George Martin was saying, ‘Pepper was their first acid album.’ But we’d had acid, including Paul, by the time Revolver was finished.”

Not only was the album a serious attempt for artistic purity, but it was also highlighted with the humour and distinct candour The Beatles had brought to all their work. Songs ranging from the hilarious and nostalgic to the hallucinatory and nihilistic marked The Beatles out as more than just a band, they were now icons.

Revolver is a soundscape of poetic imagery featuring working-class Liverpool and is the Fab Four’s most consistent record.

2. The Beach Boys – Pet Sounds

When work on the radical Pet Sounds started, the brains behind the band, Brian Wilson, set out to create “the greatest rock album ever made.” Over fifty years after the initial release and it’s still a strong contender. Before the album came to fruition, The Beach Boys were merely a surf-rock band, but Wilson was eager to step away from this formula and create something that would stand the test of time. Pet Sounds was exactly this, proving to be the band’s magnum opus.

The record features songs such as ‘God Only Knows’—which contained 15 different instruments as well as additional percussion, creating something reminiscent of Phil Spector’s Wall Of Sound. Pet Sounds, which was inspired by The Beatles’ Rubber Soul, is often cited as the first original concept album in music, with themes of social isolation, loneliness and love, as well as a cohesive musical theme throughout the record. Everyone from David Bowie to the Talking Heads found inspiration through The Beach Boys’ ambitious and ground-breaking record.

1. Bob Dylan – Blonde On Blonde

Coined the first major double album of all time, Dylan’s Blonde on Blonde is easily a contender for the best record ever made. Continuing what he had started on Highway 61 Revisited and the A-side of Bringing It All Back Home, Dylan began experimenting further with rock, soul and country music whilst taking a step away from his folk roots to create something no one has ever come close to, including Dylan himself.

Twelve years after the album came out, he described it as “the closest I ever got to the sound I hear in my mind was on individual bands in the Blonde on Blonde album. It’s that thin, that wild mercury sound.” With the perfect blend of sarcasm, wit and mystery, songs such as ‘Rainy Day Woman #12 & 35’ – riddled with double meanings and reinstate his role as ‘the voice of the generation’, whilst ‘Visions of Johanna’ holds genius one-liners right from the opening, with “ain’t it just like the night to play tricks when you’re tryin’ be so quiet?”

Two months after its release, Dylan dropped out of the public eye completely after his motorcycle crash and moved away to Woodstock with his family, leaving his fans with nothing left but the memory of Dylan, and obviously, this allusive LP.

Megan Lily Large.

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