The one movie Clint Eastwood called his definitive film: “About a dreamer”
There is a certain amount of entitlement that comes with being a movie star. Known across the world for their roles and revered for simply being famous, it can feel like some of Hollywood’s biggest names have barely earned their place in history despite the sheer smugness they bring to their interactions with their own legacy. Clint Eastwood, however, is the complete opposite.
Throughout his extensive career, Eastwood has deservedly earned his place as one of cinema’s most resolute icons. Not only did he deliver a career on-screen that includes unimaginably legendary roles like Dirty Harry and The Man with No Name but he has since got behind the camera and become a world-renowned director too, confirming his spot in the pantheon of cinema forevermore.
Whether starring in High Plains Drifter, delivering perfect direction in Unforgiven, or providing the wonderful story of Letters from Iwo Jima, Eastwood has barely put a foot wrong in his career. And with such a long run in the business, he has been given ample opportunity to do so. Every new project is a potential pitfall, but Eastwood’s hit rate is remarkably strong.
Of course, not everything can be a smash, though. One movie would almost send him out of the business before he began. Following his appearance in 1958’s Ambush At Cimarron Pass, the star was a hair’s breadth away from throwing in the towel. “It was so bad I just kept sinking lower and lower in my seat,” Eastwood once recalled to Crawdaddy Magazine. “I said to my wife ‘I’m going to quit, I’m really going to quit.”
Thankfully, he didn’t heed his own nervousness and ploughed on to create an impressive career. With so many movies under his belt, it’s difficult to think of what might be considered his most definitive on-screen role. While some of those above will stick longer in the mind than most, for Eastwood himself, it’s a slightly more unusual pick.
Speaking with Barbra Walters in 1992, Eastwood opened up about his decision to pick characters who seemed to be in pain. He suggested that much of that was his “painfully shy” childhood and that, despite working in what “appeared to be an extroverted profession” underneath it all, he was still very much a “loner”. It’s also why he chose his “definitive” Clint Eastwood movie as Bronco Billy.
“I would say, either Unforgiven,” Eastwood started with his answer, paying homage to one of his most beloved pictures, “or maybe even Bronco Billy.” The reason for him picking the picture, released in 1980 and holding the unusual genre classification of comedy western, might not necessarily be down to just how impactful the movie was on his career or his audiences but because of how it relates to Eastwood, the man.
As Walters raises her eyebrows to the suggestion, Eastwood continues: “Because Bronco Billy is about a dreamer who made dreams come true.” There are few more perfectly aligned movie descriptions with the ideals of Hollywood itself than that. Walters asks, “Is that you?” To which Eastwood candidly replies: “Could be.”
There are certainly better Clint Eastwood movies out there. Pictures which not only capture the essence of what we know Eastwood to be as an actor but also a storied filmmaker and lover of cinema. However, according to the actor himself, Bronco Billy, a notably silly western about making dreams come true, might be the closest we get to defining Clint Eastwood as the man.
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