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The Beatles number one song that Paul McCartney refused to call a classic

The Beatles have countless songs which could be described as classics. From ‘Let It Be’ to ‘Here Comes The Sun’ to ‘A Day in the Life’, there are countless examples of Beatles songs that have since come to define the musical heritage of the UK and music history in general. That doesn’t necessarily mean that The Beatles themselves regard all of those songs as classics. In fact, I’d be willing to argue that, having played much of their early work innumerable times in concert, John Lennon and Paul McCartney would have been happy to never listen to tracks like ‘Eight Days A Week’ ever again. According to McCartney, in fact, the best thing about that 1964 B-side was the title.

During one notable interview, McCartney attempted to dissuade people from the notion that ‘Eight Days A Week’ was in any way a classic of The Beatles’ discography: “When people review my shows, they say, ‘He opened with a Beatles classic, ‘Eight Days a Week,'” Paul said. “I wouldn’t put it as a ‘classic.’ Is it the cleverest song we’ve ever written? No. Has it got a certain joie de vivre that The Beatles embodied? Yes. The best thing about it was the title, really,” he concluded.

During that same interview, McCartney dismissed the rumour that Ringo Starr had come up with the title. Eager to get the credit he deserved, Paul quickly clarified that the song was inspired by a conversation between himself and John Lennon after McCartney had lost his license and had to be driven to Lennon’s house. “Just as we reached John’s, I said, ‘You been busy?'” Paul recalled. “Just small talk. And he said, ‘Busy? I’ve been working eight days a week.’ I ran into the house and said, ‘Got a title!’ And we wrote it in the next hour.”

Written at the very dawn of their career, ‘Eight Days A Week’ captures all the excitement of Beatlemania and the superstardom which followed the group’s relocation to London from their native Liverpool. From Paul McCartney’s description of the inspiration behind the track, it’s clear that they arrived in the swinging city at a moment when liberation was in the air. “Our parents had been rather repressed, and we were breaking out of that mould,” Paul began. “Everyone was let off the leash. Coming down from Liverpool to London, there were all sorts of swinging chicks, and we were red-blooded young men. All that’s on your mind at that age is young women — or it was, in our case.”

Despite being unpopular with McCartney, ‘Eight Days A Week’ reached number one on the Billboard Hot 100, staying on the chart for ten weeks. It established The Beatles as one of the UK’s chief musical exports and cemented the band’s popularity across the Atlantic. It also had a remarkable legacy beyond the time it spent in the charts, with Ron Howard’s documentary of the same name exploring The Beatles’ career around the time of the song’s release. Still, you can’t expect Paul to love it unconditionally, considering he went on to write tracks with as much depth as ‘Eleanor Rigby’ and ‘Yesterday’.

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