The 130 films Martin Scorsese calls “guilty pleasures”

Looking through the filmography of Martin Scorsese, there are few movies that miss the mark. Of course, every filmmaker must endure a spectrum of appreciation for their work, with Marty likely enjoying the glory of Goodfellas as much as the general condemnation of his debut Who’s That Knocking On My Door. However, within that range of 25 feature films, few of his movies could be regarded as ‘guilty pleasures’.

Guilty pleasures are what make art so bountiful. What might be considered stinking heaps of smoking garbage by one patron may be a pure masterpiece for another. There is even a little extra joy in recognition of a movie’s foibles, the inconsistencies that bump and jolt us to provide the rhythm of our affection for what most would consider an uncomfortable ride. We all know that McDonald’s cheeseburgers were surpassed by artisans decades ago, but that doesn’t mean we don’t still enjoy eating the cheese left on the wrapper once in a while.

Despite Scorsese’s status as one of the greatest filmmakers of his generation, he is also partial to a floppy burger of a film every once in a while and, during a conversation with Film Comment in 1978, picked out a list of 130 movies he would call his “guilty pleasure”.

Naturally, some changes have likely been made to this list in the 40+ years that followed, perhaps even the odd Marvel movie, but this list represents some of the finest and funkiest cinema around. The list was originally broken down into sub-categories: spectacle, war, music and comedy, horror and western, and tough guys. It was then added to with the title of ‘Random Pleasures’ during which Scorsese delivers the bulk of his bashful watching list.

Within the piece, he writes of those chaotic pieces of enjoyment: “On the whole, these films are not good. They’re guilty. But there are things in them that make you like them, that make them worthwhile.” It should also be noted that he included 50 movies about which Scorsese said, “These are unguilty pleasures, films that I love, even though something spoils them.”

Naturally, given the timeframe of the article, and Scorsese’s penchant for cinema’s forgotten titles, the movies listed below will likely be mere memories for most casual cinephiles. However, there are some titles of note, including The Bible (John Huston, 1966) and King of Kings (Nicholas Ray, 1961) which perhaps point to Scorsese’s dalliance with theological cinema a decade later in The Last Temptation of Christ.

There are also plenty of Mafia-focused movies too, including Mafioso and Al Capone, which will have likely informed Scorsese’s own style when delivering classics of the genre Goodfellas and Casino. There’s even a movie which Paul Newman called “the worst motion picture produced during the 1950s”, The Silver Chalice. One of the most modern movies features an actor Scorsese would work with on The Irishman, with Al Pacino’s Scent of a Woman also included in the list.

All in all, the list below certainly has its fair share of bloopers. A collection of movies which are so far removed from the magnificence of Martin Scorsese’s own work that they feel insignificant in comparison. However, if Scorsese can see their value, enjoy their narrative and languish in their sinful lack of substance, then perhaps you should too.

Martin Scorsese’s guilty pleasure movies:

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