Before we wrap 2025, let’s find out what makes an album of the year? Scoring art. Callum MacHattie Nov 24, 2025
Bug Teeth – ‘Micrographia’ album review: a gorgeous debut that balances light and dark Stunning. Aimee Ferrier Nov 20, 2025
Mélanie Pain – ‘How And Why’ album review: A voice powered by the winter winds A reliable folk record. Callum MacHattie Nov 19, 2025
Pollyfromthedirt – ‘The Dirt’ EP review: A comforting swirl of honesty and satire Familiar charm. Kelly Murphy Nov 19, 2025
Celeste – ‘Woman Of Faces’ album review: A record so vulnerable its awe-inspiring Brutal yet beautiful. Callum MacHattie Nov 12, 2025
Noura Mint Seymali – ‘Yenbett’ album review: Mauritanian Griot experimentation for the masses A captivating new album… Ben Forrest Nov 11, 2025
She’s In Parties – ‘Are You Dreaming?’ EP review: Ambitious ideas in need of slight refinement Hit and miss. Callum MacHattie Nov 7, 2025
Mavis Staples – ‘Sad and Beautiful World’ album review: A legacy of gospel activism A stunning gospel-soaked effort. Ben Forrest Nov 6, 2025
Witch Fever – ‘FEVEREATEN’ album review: Modern doom metal at its very best Turn it up loud. Dale Maplethorpe Oct 31, 2025
Luvcat – ‘Vicious Delicious’ album review: The real deal of a new star Striking gold. Lucy Harbron Oct 30, 2025
The Belair Lip Bombs – ‘Again’ album review: Reliable indie that hits all the notes Good old fashioned indie. Callum MacHattie Oct 30, 2025
Still Blank – ‘Still Blank’ album review: A blended formula so very nearly refined Nearly there. Callum MacHattie Oct 24, 2025