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The song Robert Plant called “the most difficult piece of music to sing”

Wed 4 December 2024 23:31, UK

Having the kind of chemistry between the members of Led Zeppelin feels impossible. Although Jimmy Page may have had a fine groove going with the members of The Yardbirds, his decision to take a chance with a supergroup of sorts made way for the most striking hard rock music of the 1970s, from blues stompers to sweeping epics. While John Bonham may have laid down a steady groove in the back, the spectral voice of Robert Plant glided above every single track.

Coming from the world of folk music, Plant originally wasn’t the first choice to front Zeppelin, with Page even asking Blind Faith/Traffic vocalist Steve Marriott if he wanted to play with the band. Although Marriott turned him down, Plant proved to be the right choice, making what could have been traditional blues songs into vocal exorcisms on ‘Dazed and Confused’ and ‘Ramble On’.

Even as the band went along, Plant was always trying out different styles of vocal performance, becoming more reserved on ballads like ‘The Rain Song’ before exploring different Eastern imagery on ‘Kashmir’. Then again, not every vocal style was exactly a walk in the park for Plant, either.

Outside of Zeppelin, Plant wanted to move away from the typical sounds he was known for. Although his flirtations with world music and traditional rock and roll made for exciting experiments in the ‘80s, something began to turn around when working with Allison Krauss.

Being from the folk and bluegrass world, Krauss played the complete opposite of what Plant was known for, getting him to sing in a somewhat reserved register while never sacrificing any of his emotional power. When talking about the challenge, Plant singled out ‘Polly Come Home’ as one of his most challenging songs, recalling on Digging Deep: “It’s just the most difficult piece of music to sing at the tempo that we sang it at. It’s one of the toughest calls I’ve had, apart from my audition in the Yardbirds.”

As opposed to Zeppelin’s nature to sound like a musical freight train, Plant’s ability to reign himself wasn’t going to be easy, explaining, “The song itself is just, it’s so poignant. And it’s so slow. So the very opening line of the song, in my chest, my lungs, my vocal cords, in my sense of timing… It was, ‘How am I gonna get these words to the end of that bar without collapsing?’”

Regardless of a track record for phenomenal vocal performances, Plant also had to get over one of his greatest competitors: himself. Coming from the Zeppelin world, Plant talked about wanting to deliver a performance that could stand alongside his previous work, emphasising, “So this is the guy that sang ‘Immigrant Song’, he’s just gonna go and sing this song here where I need an iron lung to give me a little more air to get the song out. It’s such a great song, but it was a hell of a challenge.”

But what made Robert Plant so special?

To many, Robert Plant isn’t just a great singer; he’s a bonafide and bloody barnstorming force of nature. As the frontman of Led Zeppelin, Plant redefined what a rock vocalist could be, pushing the boundaries of the genre with his electrifying range, raw power, and primal energy. While his contemporaries could belt a tune, Plant embodied it, channelling a voice that was equal parts bluesman, wailing banshee, and mystic.

Vocal performance aside, a large chunk of what makes Plant’s singing so iconic is the presence he brought to the stage. Dubbed the “Golden God” for a reason, he wasn’t just a vocalist—he was an archetype of the rock frontman. With his flowing blonde hair, open shirts, and hypnotic swagger, Plant didn’t just perform; he mesmerised. His voice was an extension of that magnetism, carrying the same sexual energy and mystical allure that made him a legend.

Robert Plant is more than a great singer. He’s the voice of a generation, a pioneer who turned raw emotion into art and left an indelible mark on rock history. From his feral screams to his tender whispers, Plant didn’t just sing the soundtrack of an era—he became it.