The iconic scene Leonardo DiCaprio improvised in ‘Once Upon a Time in Hollywood’

Back in 2019, director Quentin Tarantino transported audiences to the 1960s with his masterful movie Once Upon a Time in Hollywood. A tragedy that depicts the change in Hollywood culture as it entered the 1970s and transitioned from the golden age of the past, Tarantino’s film is a mature and methodical analysis that ditches his crutch of provocative violence to tell a definitive story of personal and cultural change.

Rick Dalton, the film’s protagonist, is a fragile product of the ’70s L.A. showbiz economy, desperately struggling to reach the top of his craft and shake off countless frivolous TV roles. Played by Leonardo DiCaprio, who received an Oscar nomination for his remarkable performance, Dalton is one of Tarantino’s finest-ever characters, being the perfect individual to carry his barbed tale about the nature of American culture at the turn of the 1970s.

One of the character’s best scenes comes when he retreats to his trailer after repeatedly forgetting his lines on the set of a film. Freaking out in his boxed trailer apartment, he berates himself for drinking too much the night before, smashes a window and erratically paces. It’s an iconic moment from the movie that perfectly encapsulates the nature of the protagonist and DiCaprio’s acting ability, with the actor improvising the whole thing.

Speaking at a post-screening Q&A at his New Beverly Cinema, director Quentin Tarantino revealed that DiCaprio helped him develop the idea for the scene that wasn’t in the original script.

As reported by IndieWire, Tarantino stated: “It wasn’t in the script actually, so we never rehearsed it or anything…Leo had a whole thing. At some point, it was like, ‘Look, I need I need to fuck up during the ‘Lancer’ sequence, all right? And when I fuck up during the ‘Lancer’ sequence, I need to have a real crisis of conscience about it and that I have to come back from that’”.

Inspired by Robert DeNiro’s influential performance in Martin Scorsese’s 1976 movie Taxi Driver, Tarantino recalls describing the idea to DiCaprio, stating, “I think I described it exactly this way, I think we shot it exactly this way — It’s gotta be like Travis Bickle when he’s in his apartment by himself”.

Aside from this, the only other pointer Tarantino gave to the actor was to provide him with a list of possible things he could be freaking out about, with the director noting, “I’ve never seen him so nervous as on the day, we’re going to do the scene in three hours”. In turn, the actor drew on personal experiences, telling the audience at the Q&A event, “I’ve definitely had days like that…I don’t think I’ve ever flipped out quite like that”.

As Dalton rises in industry prominence on the glitzy streets of Hollywood, poison seeps into the hotbed of the LA hills as the murderous, real-life Manson family plan a violent act that would forever change the identity of modern America. Unbeknownst to her, it is the real-life figure of Sharon Tate (Margot Robbie) who stands at the centre of this swirling cauldron of ill fate and becomes the key to understanding Tarantino’s masterpiece.

ADD AS A PREFERRED SOURCE ON GOOGLE

Never Miss A Take

The Far Out Quentin Tarantino Newsletter

All the latest Quentin Tarantino content from the independent voice of culture.
Straight to your inbox.