Billy Corgan is selling all 150 rare Smashing Pumpkins equipment
Smashing Pumpkins singer and bass player Billy Corgan has announced plans to sell almost all of the rare music equipment he used throughout his career.
Partnering with online music gear marketplace Reverb, Corgan plans to place up to 150 listings which includes a a Stratocaster and a pair of Marshall JMP-1 amps that featured on iconic records Siamese Dream and Mellon Collie and the Infinite Sadness.
“Of all the artist-owned gear we’ve been fortunate to sell on Reverb, this collection of gear from Billy Corgan has arguably the most historic prominence – you can feel it when you pick up any one piece,” Reverb’s Jim Tuerk said in a statement issued to Rolling stone. “These are the tools that not only defined one of the all-time greats, but an entire generation of music.”
Corgan, who will also sell his 1969 Gibson EB-3 Bass, described the instrument as having “a very Jack Bruce sound.”
“I used this on everything from Mellon Collie to Machina,” he added. “It’s one of those secret-weapon recording basses.”
Here are a handful of things on offer, according to Reverb:
Corgan’s #2 Stratocaster. A modified, star–covered 1988 Fender AVRI Strat that recorded most of Siamese Dream and Mellon Collie, including “Today,” the solo of “Cherub Rock,” and many more.
A pair of Marshall JMP-1s that were the main preamps for Mellon Collie album and the tour.
Two Alesis drum machines, one used for the loops on “1979” and another that was used to record many early Pumpkins’ demos before Jimmy Chamberlin joined the band.
The modified 1990s Les Paul Special used to record much of the Machinaalbum and played regularly on that tour, and the two backup LP Specials from the tours.
The rackmount ADA MP-1 preamps used to record Gish.
A Fender Subsonic Stratocaster in Sonic Blue from the Zeitgeist era signed “This is what true freedom looks like. Billy Corgan.” One of the few items in the shop signed by the guitarist, it was originally set to go to auction in 2008 before Corgan decided against it.
The Fernandes sustainer guitar used in the studio and on tour for most of Adore.
A 1969 Gibson EB–3 Bass in Walnut dubbed the Mountain Bass used as a “secret weapon” on everything from Mellon Collie to Machina.
The small Crate combo amps used to get the distortion sounds on Machina.
The arsenal of Diezel and Bogner amps used to record and tour for Zeitgeist.
Dozens of collector–grade vintage guitars, including two ’58 Strats, a ’63 Candy Apple Red Strat, a 1953 Gibson Super 400, and a ’66 Rickenbacker 360.
A vintage 1950s accordion and an autoharp used on the Mellon Collie tune “We Only Come Out at Night.”