Geologist and DS – ‘A Shaw Deal’ album review: Isolating experimentation for an audience of two Someone will probably like it. Lucy Harbron Jan 31, 2025
Maribou State – ‘Hallucinating Love’ album review: borderline cruel in its escapism A shimmering sound. Dale Maplethorpe Jan 31, 2025
Gus Englehorn – ‘The Hornbook’ album review: magnificent storytelling with a dark underbelly An interesting album. Aimee Ferrier Jan 30, 2025
Cymande – ‘Renascence’ album review: the British funk icons never lost their appeal As funky as ever. Ben Forrest Jan 30, 2025
Bonnie “Prince” Billy – ‘The Purple Bird’ album review: country for the hopeless and heartbroken Full of anguish. Reuben Cross Jan 30, 2025
Lilly Hiatt – ‘Forever’ album review: embracing the haze of momentary bliss The desire to linger in the happiness. Kelly Murphy Jan 30, 2025
If independent venues continue to struggle in 2025, should we even bother saving them? An alternative future. Tom Taylor Jan 27, 2025
FKA Twigs – ‘Eusexua’ album review: a sensual odyssey through vulnerability and playfulness Worth the wait. Aimee Ferrier Jan 24, 2025
Ditz – ‘Never Exhale’ album review: noise rock not for the faint of heart Harrowing, yet cathartic. Reuben Cross Jan 23, 2025
C Duncan – ‘It’s Only A Love Song’ album review: A warm bath of cinematic romanticism A compelling offering. Ben Forrest Jan 23, 2025
Anna B Savage – ‘You and I are Earth’ album review: The ultimate ode to finding peace in uncertainty The power of delicacy. Kelly Murphy Jan 23, 2025
Benjamin Booker – ‘Lower’ album review: a dream-like masterclass Fantastic. Arun Starkey Jan 23, 2025