Remembering the moment Pink Floyd’s giant inflatable pig ‘Algie’ broke loose over London
Pink Floyd’s classic record Animals remains a part of the legend of one of the most important bands in rock history. Not only was the band’s growing musical majesty accruing yet more steam but the album’s artwork would land the band on the front page news because of a runaway, giant inflatable pig.
On this day in 1976, a 40-foot inflatable pig would break loose from its moorings, float above London, and make its way out of the capital. It would see the band make a big splash on the tabloids and garner a huge amount of publicity for Pink Floyd’s tenth studio album.
The pig, nicknamed Algie, was being photographed for the forthcoming Animals release and would be a focal point of the album artwork. At the time, album artwork was, at times, as important as the music inside it – artists took this stuff seriously. So when Roger Waters and Aubrey Powell came up with the idea to send Algie the inflatable pig up above London landmark Battersea Power Station, people really took them seriously.
“I’d always loved Battersea Power Station, just as a piece of architecture,” Waters later told Rolling Stone. “And I thought it had some good symbolic connections with Pink Floyd as it was at that point. One, I thought it was a power station, that’s pretty obvious. And two, that it had four legs. If you inverted it, it was like a table. And there were four bits to it, representing the four members of the band.”
The photograph would adorn the band’s record but it wouldn’t all end well, as Algie would break free and cause havoc. Snapping the ropes holding the 40ft balloon the inflatable pig would rise high into the sky and even finding it’s way into Heathrow’s flight path. It would even see The Civil Aviation Authority issue a warning to all pilots to be on the lookout for flying pigs.
After all flights were forced to be grounded, Powell, co-founder of art group Hipgnosis, was arrested. It would see Police helicopters and even the Royal Air Force to chase down the floating oinker. the chase would come to an end when the pig eventually came down and crashed into a barn on a dairy farm in Godmersham in Kent.
“At 9:30PM, a man rang up,” Powell told Time Out London. “He said, ‘Are you the guy looking for a pig? It’s scaring my cows to death in my field.’ It was front-page news. Pink Floyd couldn’t have got better publicity if they tried.” But the tricky issue of a cover shoot was still to be traversed.
The team returned to re-shoot the image this time armed not only with a 40ft inflatable pig balloon and stronger ropes but a sharpshooter to bring down the balloon should it break free again. While Powell laments “the most incredible, Turner-esque sky” they had for the first shoot and was subsequently lost on the second, the final result is still marvellous. Powell admits though that the final result was a manipulated image, “It’s actually a completely faked photograph.”
Still the album, perhaps buoyed by the extra publicity one gets when a 40ft breaks free across London, would break the Top 10 both sides of the pond. With its long-form style and loose *Animal Farm* concept, the record would be another step toward the Floyd’s growing iconoclasm. Algie, the pig, would become a symbol of Pink Floyd’s ludicrous creativity and their powerful follow-through and a part of the band’s live set too.
Back in 2011, a replica of the pig was again floated between the chimneys of Battersea Power Station to celebrate a reissue of the album. But for now, sit back and listen to Pink Floyd’s Animals and see if you’re inspired to make any large inflatable farmyard animals.