A look back at the birthplace of punk, CBGB’s most iconic performances of all time
Opening its doors in 1973, CBGB’s is one of the most legendary rock venues in the history of music. No ifs or buts, CBGB’s was the place to be if you wanted to be heard in the dirge of New York. It was the birthplace of punk and all the grim-filled beauty that went with it.
Officially closing its doors on October 15th, 2006, the iconic New York stalwart was formerly a biker bar but was transformed under Kristal to become one of the most important venues in the country during the late 70s and 80s.
The letters CBGB were for Country, BlueGrass, and Blues, which all speak to Kristal’s original vision. Despite this vision, CBGB soon became a famed venue of punk rock and new wave bands like the Ramones, Television, Patti Smith Group, Blondie, and Talking Heads and the on to providing one of the only welcoming platforms for hardcore punk during the 80s.
Here we’re taking a look back at some of the venue’s most iconic performances of all time from some of the club’s most notorious patrons and performers.
Ramones – 1974
In 1974 the musical climate was rife with glam, glitter, and disco-breath. One band determined to flip the script firmly on its greasy head was The Ramones and they started their punk rock revolution at their spiritual home: CBGB’s in New York.
The Ramones represented a whole new type of rock and roll. They were not content with the folk sensibilities of the sixties, nor were they swayed by the alien glitter of glam rock, Ramones were staring down the barrel of a new youth movement, and they made it happen with a simple “One! Two! Three! Four!”.
One eyewitness to the scene was music journalist Legs McNeil, the future co-founder of Punk magazine told History.com: “They were all wearing these black leather jackets. And they counted off this song…and it was just this wall of noise,” McNeil later recalled. “These guys were not hippies. This was something completely new.”
Talking Heads, complete with the swashbuckling artistry of David Byrne take to the grimy yet famous CBGB stage for the very first time in 1975 just one year on from their inception. The then-trio took to the stage at the infamous venue in support of punk upstarts the Ramones, there was a sense that this band were something unique, something different, something worth paying attention to.
In the footage below, one can sense this notion of immersion, of impressive domination of a hostile crowd, a band beginning to build. Byrne may not have yet finessed his jerking and jabbering performance style, but the band were laying the foundations for a skyscraper career. In this rare footage, we see Talking Heads before they became everyone’s favourite influence.
Blondie – 1977
The electric energy which pulsed through New York in the mid-to-late-seventies all seemed to congregate in the depths of the grim-ridden punk club CBGB. It was there that Patti Smith, Ramones, Talking Heads, and so many others found their musical feet. But it was there that Blondie and Debbie Harry created their own genre and called it new wave.
Blondie representing one of the few bands on this list to transcend the club and its ethos. Blondie may have moved toward the shining lights of mainstream stardom but they began on the dirty stage in the bowels of New York.
The gig in question was immortalised by the band in their DVD Blondie: Live at CBGB and shows a Harry at full tilt a band without reproach and the club bouncing to every note. Watch Blondie play ‘Rip Her to Shreds’ below.
Beastie Boys – 1982
CBGB’s by the early eighties had cemented its place among the greatest musical landmarks of North America. It was rightly recognised as the birthplace of punk and following the relative success of the Ramones, Patti Smith, Blondie and more the queue was usually around the block given any night.
That prompted the establishment to start putting on matinee punk performances. They encouraged smaller acts to jump on stage at thrash for 20 minutes at a crowd who had nothing better to do on an afternoon than sit and drink. One such punk band was the early incarnation of the Beastie Boys.
Back in 1982, they were a hardcore band comprising vocalist Michael Diamond, bassist Adam Yauch, drummer Kate Schellenbach and guitarist John Berry. Below you can hear that maiden set at CBGB’s legendary venue.
Guns ‘N’ Roses – 1987
Just a few short months after Guns ‘N; Roses had shared their seminal record Appetite For Destruction they made their way to the near-depths of New York’s bubbling underbelly. They didn’t quite make it to CBGB’s but did find their way to the CBGB Record Canteen.
The venue was essentially the shopfront next door bought and hollowed out to double as a record shop and venue. It wouldn’t quite be the dripping walls of Christie’s punk palace, but it’s near enough. In 1987 there was no band bigger than Axl Rose and Slash’s crew, here they play a pokey show and give an iconic performance.
Dead Boys – 1977
They may have hailed from Cleveland, Ohio but the band known as Dead Boys are as synonymous with the New York punk scene as pretty much everyone. They operated like drunken hitmen when they stepped on stage. Stinking of grime and disrespect the group would deliver full-throttle performances hell-bent on driving you head first into the wall.
Patti Smith – 2006
Of course, we had to finish off this list with the very last performance at the legendary punk venue. Fitting, it would seem to us, that the last person to play the venue would not only be the Queen of New York’s underground scene herself, Patti Smith. But would also see the singer contribute covers of some of CBGB’s hall of fame.
Covering The Rolling Stones’ ‘Gimme Shelter’ with Red Hot Chili Peppers’ Flea on bass, she adds her own unique viewpoint on the dad-rock classic. Smith then moved on to not only play a Ramones-medley with an electric and energetic enthusiasm that would’ve made the gruesome foursome proud but then offers a touching rednition of Lou Reed/Velvet Underground’s ‘Pale Blue Eyes’.
The series of covers and the performance, in general, was Patti Smith’s final farewell to the place where so much of what we consider mainstay punk rock nowadays found its first words.