Following from the Moon Duo gig earlier this month at the Brudenell social club, Leeds, we decided to get in touch with the support act on the night; ‘Temples’ and talk to them about touring, their new label; Heavenly and how they create a sound that’s making a comeback after a 30 year hiatus.
All you have to do is check out the songs Temples have posted on their website to see that their influences range from modern era with the likes of Ty Segall and Moon Duo, all the way back to the 60’s, 70’s and beyond with the likes of T-rex and Fleetwood Mac. It also wouldn’t be far fetched to think that the four from Kettering are big fans of Perth based psych-rockers; Tame Impala who are making a big noise at the moment and recently appeared on later live with Jools Holland.
Their musical knowledge is definitely expansive and deviates from the tired out classics you might find on a shitty mix tape covered in peace signs and flowers selling for 4.99 in HMV. For example, whilst looking through their site I came across a German band called ‘Amon Duul II’ a number of times, apparently they created krautrock whatever the fuck that is. But it shows a deep seated originality in Temples’ musical taste and influences.
As far as a support act, which they currently are, its hard to work out what sort of path they’re trying to take. They’ve just recently been playing with the aforementioned Moon Duo which Thomas Walmsley the bassist in the band described as a really positive experience: ‘We’re big fans of Moon Duo, so it was an exciting night for us to be a part of. We always love playing live.’ As with any band growing in stature they’ve had to do their time up north with Walmsley keen to mention that; ‘It’s been great to play places outside of London.’
Perhaps a slightly more surprising choice of band to support is soft core single producers Mystery Jets with adolescent indie crowd in tow. However Temples point out that maybe the experience is more important than the headliners: ‘We’ve played seven shows with Mystery Jets so far. It’s been fun, they’re really nice guys. I’m not sure what the indie crowd is, but if people stick around to watch us then that’s great.’
Naturally with an up and coming band its interesting to gauge their integrity, are they all about the touring or the big time rum and cocaine fueled single launches?: ‘I think whatever a band does, the music has to come first. Playing live is the only way you can really get through to people.’
And yeah, we really enjoyed seeing them live, part of that was their unique sound which whilst being technically sound remained seemingly effortless. It seemed like a sound that had taken a while to perfect: ‘It’s mainly from experimenting with sounds, effects, not being afraid to put things in the red. Very little was calculated though, with [our new single] ‘Shelter Song’ we found sounds we liked and ran with them.’
Of course as new kids on the block being referred to in relation to better known bands is common practice, however Temples have it a bit more difficult than most being in a genre people know little about. Their psych-rock sounds have caused them to be compared to the likes of the Beatles and the ‘67 era, when asked if these have become tiresome Walmsley’s answer is short and polite: ‘It’s always flattering if people sight similarities. We love 76 as much as 67 though.’ My guess is that yes, it has become tiresome.
Alongside some pretty successful sounding tour dates Temples have reached a milestone in ‘making it’ having recently signed to Heavenly records who are currently teeming with cool, up and coming bands. The band appreciate the break they’ve been given and are taking on all Heavenly’s advice: ‘ They’ve got a wealth of knowledge to impart. It’s great sitting down and talking to them about music.’ The band are also big fans of some of the other Heavenly projects that are gaining national recognition: ‘We really like the TOY album, Charlie Boyer & The Voyeurs, Stealing Sheep are great too.’
Temples themselves are no stranger to media attention and are gaining critical recognition, all that is taking a backseat at the moment though whilst the boys concentrate on gigging the fuck out of wherever possible: ‘It’s always positive if people dig our tracks, but playing live ought to be a different experience altogether, no matter the preconception people have of us. It’s better to be exciting and unpredictable that way.’
We recommend that if you see this lot playing near you, go see them.
Finally, what’s in the pipeline?
‘We’d like to have another record out in the new year.’